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Post by serin on Dec 6, 2013 5:42:23 GMT -5
First Trailer For Tom Cruise's EDGE OF TOMORROW Will Be Attached To THE HOBBIT: TDOS
It looks like next week will be packed with new trailers as, along with Interstellar, the first teaser for Tom Cruise's upcoming sci-fi/action flick Edge of Tomorrow. will also be arriving with The Hobbit: The Desolation of Smaug. In addition to the expected trailers of 'The Amazing Spider-Man 2,' 'Interstellar,' and 'Godzilla,' it looks like we can also expect the trailer for the Tom Cruise-Emily Blunt starrer, 'Edge of Tomorrow' next week in front of 'The Hobbit: The Desolation of Smaug.' Read more at www.comicbookmovie.com
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Post by architect on Dec 9, 2013 0:20:43 GMT -5
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Post by architect on Dec 9, 2013 23:11:51 GMT -5
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Post by architect on Dec 11, 2013 16:16:02 GMT -5
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Post by serin on Dec 15, 2013 6:58:35 GMT -5
Check Out The Insanely Cool Tom Cruise Edge Of Tomorrow Trailer
Tom Cruise and Emily Blunt star in this futuristic alien action movie.
The awesome trailer has been released for the Tom Cruise Edge of Tomorrow military sci-fi movie in which the Mission Impossible actor plays a man reliving his death in battle against an alien force over and over again. Cruise plays Lt. Col. Bill Cage and co-star Emily Blunt is Special Forces soldier Rita Vrataski in this exciting new alien combat thriller.
The pair team up to fight a hostile invading race, The Mimics, but Cage is forced to continually return to a fatal battle through a time loop. Rita tries to help him come to terms with his strange predicament by training him up so that each time he goes into battle he's more and more prepared.
Watch The 'Edge Of Tomorrow' Trailer:
Adapted by Screenwriter Dante Harper, Edge of Tomorrow is based on Hiroshi Sakurazaka's Japanese light novel All You Need Is Kill which combines a mind-boggling time loop scenario - think Groundhog Day crossed with Source Code - with heart-racing action scenes, evoking Cruise's own Oblivion and Matt Damon's Elysium.
The newly-released trailer gives us our first glimpse into the exciting world of Doug Liman's Edge of Tomorrow with high-action fight scenes, mind-blowing stunts and a scary alien onslaught. "I'm not a soldier," protests Cage, despite being seen fighting in a chunky battle suit, complete with giant cannons. "Of course you're not, you're a weapon," Rita replies.
Emily Blunt Stuns In Her New Action Role.
Cruise and Blunt star alongside Jeremy Piven, Bill Paxton and Lara Pulver in what looks to be a Tom Cruise on top form, edge-of-your-seat action definitely not to be missed next summer. Edge of Tomorrow will be released on the 6th June 2014.
Contactmusic
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Post by serin on Jan 11, 2014 5:45:42 GMT -5
New image Tom Cruise and Emily Blunt Face Off in Latest Edge of Tomorrow Still Dreadcentral.com
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Post by serin on Mar 8, 2014 6:19:09 GMT -5
EDGE OF TOMORROW FOOTAGE REACTION
We've seen over 20 minutes of Tom Cruise's sci-fiMar 4th 2014 By Sam Ashurst
Total Film just leapt back from an exclusive preview of Tom Cruise's latest action sci-fi Edge Of Tomorrow, which was introduced by the man himself via a video pre-record (futuristic!), and accompanied by an in-person Doug Liman, who stayed around for a post-footage Q&A.
Selflessly, Cruise spent much of his intro talking up his collaborators, describing director Doug Liman's achievements in film - reminding us that he's done everything from Swingers to The Bourne Identity - references which actually turned out to be a pretty good indicators of what we went on to watch.
He also described his co-star Emily Blunt as a "Bad-ass, with extraordinary range." And we saw plenty of evidence of that in the footage, as well.
But Cruise didn't get left out of the praise party. Liman went on to say: "Tom is a brilliant comedic actor, truly brilliant. He's the gutsiest, most courageous actor I've ever worked with."
Even if, at one point, he did acknowledge the unique section of films fans who dislike Cruise on sight - "If you hate Tom Cruise, he dies 200 times in the movie." - Liman was full of genuine admiration for his star and, from the evidence of what we saw, his respect is completely deserved. This is the best we've seen from Cruise in a long time (and we're big Oblivion fans).
SPOILERS IMMINENT
The footage was surprisingly funny, with a Swingers-level wit at times (that is, if Swingers had featured a scene in which Heather Graham dismissively shot Jon Favreau in the face after a bad chat-up line) and some /insanely/ cool action beats.
The scenes weren't clearly delineated into sections, rather, it was one big flowing sequence that appeared to be compiled from moments across the movie, so - at times - we got a bit confused as to where we were in the story.
But perhaps that was Warner Bros. encouraging us to go method and experience what it's like to be baffled about our place in the space-time continuum.
Regardless, we're going to describe roughly what we saw below, as clearly as we can.
SPOILERS SPOILERS SPOILERS
The footage opened on Cruise as he wakes up in the middle of a military base. Bill Paxton's Master Sergeant Farell approaches, and reveals that Cruise is being processed with the other new recruits ahead of a big battle tomorrow.
Cruise explains he's a PR man, not a soldier, and THAT there's been some kind of mistake. He asks for a phone call, and Farell pulls a switch-a-roo, revealing that Cruise is a deserter, and he's going to be forced to fight the next day.
We cut to a huge armada of spaceships flying through the air - this shot was awesome, looking like Avatar multiplied by a million - then we jump into one, with Cruise's William Cage strapped into the craft with a bunch of other soldiers all in their exo-suits.
After a rousing speech from Paxton - "Remember, there is no courage without fear!" - Cruise has just enough time to ask one of his fellow soldiers how to take the safety off his gun, before a sudden explosion rips through the craft and bodies start to drop.
Still attached to the ship via a connective wire, Cruise's Cage pirouettes through the air in a sequence that's going to look amazing in 3D, before dropping into a beach battle scene.
This looked /beautiful/, and incredibly intense, with explosions all around and missiles spiralling through the sky, leaving hefty smoke trails everywhere.
After a spot of battlefield fun - including a very dark gag drawn from a falling spaceship - we're introduced to Emily Blunt as she punches and blasts an alien into submission. The aliens look a bit like Matrix squids covered in ultra-violet lights, and were probably the only minor disappointment in the footage. But it is a small negative (Liman pointed out later: "At the end of the day, I wasn't making a movie about an alien invasion.") and the footage revealed there's much more to Edge Of Tomorrow than that.
Anyway, we then saw a fairly beautiful shot of Blunt, framed by trails of missile smoke, looking like the coolest bad-ass in the galaxy, before suddenly - and shockingly - an alien attacks, killing her in an instant.
Cruise joins his group, who are quickly torn up by an attacking squid. He manages to switch on his gun, blasts one of the aliens, before working out how to use a rocket launcher, and exploding another. Unfortunately, that creature's weird acidy blood splashes Cruise's face, and kills him in a gross melty way that drew gasps from the crowd.
He wakes up back on the base, where we first found him, and the movie's Groundhog Day concept is revealed. He relives the processing day, the battle sequence, with each time trying to change events.
We saw a few minutes of this stuff, before the next big twist was revealed - after he finally manages to save Blunt, she realises the situation he's in and tells him "Come and find me when you wake up."
We cut to Cruise seeking Blunt out, who, after a minor confrontation (it turns out she doesn't remember him) is convinced of Cage's time-loop situation, and tells him "What happened to you, happened to me, I had it and I lost it."
We then go into an impossibly cool training sequence, as Blunt trains Cruise to be the ultimate fighter, swinging a massive sword about and generally being amazing. Then, when Cruise f*cks up, falls down and complains of a broken back, she wearily pulls out a gun and shoots him in the head so they can start all over again. This bit got big laughs.
Then, we went straight into an extended sequence of Cruise being a bad-ass. If you like it when heroes shoot baddies casually, without so much as looking at them, you're going to find a lot to enjoy in this film. We got goosebumps during one moment of Cruise awesomeness which is pretty impressive.
Finally, we saw a sequence featuring Cruise and Blunt in a farmhouse setting that had shades of Looper. There are several movie touchstones throughout the footage we saw, some we were expecting (Groundhog Day, Aliens), and others that came as a pleasant surprise (Avatar, The Matrix). But it's the Looper element that was perhaps the most exciting.
Far from being just a boom-filled blockbuster (though the action does look exciting), Edge Of Tomorrow seems like it's going to focus on character as much as it does explosions, an element Liman was keen to talk up when discussing his relative lack of interest in the alien creatures.
"Alien invasions don't necessarily bring out the best in the characters, as evidenced by other recent alien invasion movies."
The idea of Liman doing a generic big blockbuster seemed to concern the director. He described himself as having a terror of selling out, and being relieved that Warner Bros. encouraged him to be "contrary and rebellious" on Edge Of Tomorrow.
But mostly, he wants to impress his friends. "I hang out with an artsy, intellectual crowd, and when I tell them about the movie, I probably talk up Emily Blunt's involvement instead of Tom's, because they're judgmental." he said, with his tongue only slightly in his cheek.
But, having nearly finished the film, Liman said later that he's proud of what they've achieved together. "I can hold my head when my friends in Brooklyn see it."
We've got a feeling that, after the film screens, Liman's hipster mates will be boasting about the fact their friend made a film with the Cruise-ian mega-star.
Because if there's one thing that's clear from the footage it's this: Emily Blunt is a bad-ass. But if there are two things, it's also this - Tom Cruise is about to become very cool indeed.
Edge of Tomorrow hits UK cinemas from 30 May 2014.
Total film
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Post by serin on Mar 8, 2014 6:26:18 GMT -5
Edge Of Tomorrow Footage Preview And Director Q&A March 6, 2014
Bill Cage (Tom Cruise) wakes up in Heathrow airport, which is now a military base on the frontline in the war against alien invaders known as Mimics. He’s about to be shipped off to France in one final push against the ever-growing extra-terrestrial threat. He feels like he’s been here before though, and that’s because he has. An encounter with the “Omega” Mimic has left Cage in a time loop, waking him up back at the base a day earlier every time he dies.
That’s the pitch for Edge of Tomorrow, a bonkers mix of Starship Troopers and Groundhog Day that’s based on a Japanese novel fantastically titled All You Need is Kill. Earlier this week, we had the chance to preview about 20 minutes of the film and we’re happy to report that there’s a lot to be excited about.
We’re first treated to footage of a thumping battle scene, with Cruise’s cowardly and incompetent Cage floundering in the midst of crashing transport ships and aliens that look marvelously close to evil spaghetti monsters. This is also where we meet Vrataski for the first (and not the last) time, a sword-wielding badass played by Emily Blunt. We’re also introduced to a supporting cast that includes Bill Paxton as a snake-tongued general who sees death in battle as the ultimate victory, and a rag-tag group of soldiers who take an instant dislike to Cage’s cowardliness.
Along the way we see several moments of occasional interaction as well, with Cage getting to know Vrataski a little more every day as she continuously shoots him in the head so that he can start over again every time something goes wrong.
Doug Liman, who directed Edge of Tomorrow, stated that he was keen to emphasize the romantic aspects of the story, but the scenes that were shown to us only showcased around 2 minutes of genuinely intimate dialogue. That said, from what I saw there is near endless entertainment in watching Cruise gradually work out how to approach the situation through a process of trial, error and death.
Based on the 20 or so minutes of footage that were shown here, Edge of Tomorrow seems to be very aware of its own silliness (which is a good thing) and is both surprisingly brutal and absolutely bonkers.
Of course, the question that remains is whether or not this amount of repetition will work over a full-length feature. The video game aesthetic of Edge of Tomorrow (reflected in its rather spectacular tagline “Live, Die, Repeat”) brings to mind Run Lola, Run and, most recently, Source Code – both films that fleshed out their core concept to justify their feature length.
While it remains to be seen whether Edge of Tomorrow will hold up over the length of a feature, its boiled down showreel implies some genuine promise. It’s big, bombastic and always has its tongue firmly in cheek. I wasn’t particularly interested in the film up to this point, but I must admit that my attention is now thoroughly piqued.
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Post by serin on Mar 8, 2014 6:36:59 GMT -5
DIRECTOR Q and A
0Edge Of Tomorrow Footage Preview And Director Q&AMarch 6, 2014 Dominic Mill 0 Bill Cage (Tom Cruise) wakes up in Heathrow airport, which is now a military base on the frontline in the war against alien invaders known as Mimics. He’s about to be shipped off to France in one final push against the ever-growing extra-terrestrial threat. He feels like he’s been here before though, and that’s because he has. An encounter with the “Omega” Mimic has left Cage in a time loop, waking him up back at the base a day earlier every time he dies. That’s the pitch for Edge of Tomorrow, a bonkers mix of Starship Troopers and Groundhog Day that’s based on a Japanese novel fantastically titled All You Need is Kill. Earlier this week, we had the chance to preview about 20 minutes of the film and we’re happy to report that there’s a lot to be excited about. We’re first treated to footage of a thumping battle scene, with Cruise’s cowardly and incompetent Cage floundering in the midst of crashing transport ships and aliens that look marvelously close to evil spaghetti monsters. This is also where we meet Vrataski for the first (and not the last) time, a sword-wielding badass played by Emily Blunt. We’re also introduced to a supporting cast that includes Bill Paxton as a snake-tongued general who sees death in battle as the ultimate victory, and a rag-tag group of soldiers who take an instant dislike to Cage’s cowardliness. Along the way we see several moments of occasional interaction as well, with Cage getting to know Vrataski a little more every day as she continuously shoots him in the head so that he can start over again every time something goes wrong. Doug Liman, who directed Edge of Tomorrow, stated that he was keen to emphasize the romantic aspects of the story, but the scenes that were shown to us only showcased around 2 minutes of genuinely intimate dialogue. That said, from what I saw there is near endless entertainment in watching Cruise gradually work out how to approach the situation through a process of trial, error and death. Based on the 20 or so minutes of footage that were shown here, Edge of Tomorrow seems to be very aware of its own silliness (which is a good thing) and is both surprisingly brutal and absolutely bonkers. Of course, the question that remains is whether or not this amount of repetition will work over a full-length feature. The video game aesthetic of Edge of Tomorrow (reflected in its rather spectacular tagline “Live, Die, Repeat”) brings to mind Run Lola, Run and, most recently, Source Code – both films that fleshed out their core concept to justify their feature length. While it remains to be seen whether Edge of Tomorrow will hold up over the length of a feature, its boiled down showreel implies some genuine promise. It’s big, bombastic and always has its tongue firmly in cheek. I wasn’t particularly interested in the film up to this point, but I must admit that my attention is now thoroughly piqued. Next
After the footage was screened, Doug Liman took some questions from the audience. Check out what he had to say below.
You’ve made such an eclectic mix of films so far, what was it about this story that you wanted to get your teeth into?
Doug Liman: It’s so rare these days to find a film that both fulfills a big studio appetite and at the same time is wholly original. You tend to see a lot of either very big movies that you feel like you’ve seen before – usually because you have- or you see eclectic and original movies, but they’re much smaller. Occasionally, a project comes along that has the scope of Edge of Tomorrow but at the same time is 100 percent original.
I live in New York, I don’t live in Hollywood. I hang out with a more sort of eclectic, artsy crowd. So if I talk about the film I’m really going to push Emily Blunt a little bit more than Tom Cruise, just because they’re more of a snooty crowd. They’re very judgmental.
SPOILER ALERT
In fact, I was at a party over Christmas in Brooklyn and this woman was like “Oh Tom Cruise and Emily Blunt in a Hollywood movie: He’s older than her, I bet they live happily ever after at the end of the film.” And I was like “Actually, at the end of my film, she doesn’t know who he is.” And I left this woman with her jaw dropped, because people expect such a formulaic thing from Hollywood.
END SPOILER ALERT
When I got my first studio film, which was The Bourne Identity, I was terrified of selling out and every step along the way I was being as contrary as I possibly could and changing things for no reason other than people had done it a certain way. I went into the film thinking “It’s just not going to be like other movies,” but I didn’t necessarily know what it was going to be, so there were stories of turmoil on the set as a result. But the end result of saying “I’m not going to make a cookie-cutter movie” and just fighting the system every step of the way resulted in a film that I was extremely proud of and actually spawned a whole franchise.
It put me in this unique place where people expect me to break the mold a little bit, so occasionally a project like Edge of Tomorrow comes along where people want me to change it up. There was no pressure from Warner Bros. to make this look like a standard studio film, they were really like “We want to do something fresh.” Occasionally I’d pitch an idea and they’d be like “I don’t know… It’s not Doug Liman enough.”
I didn’t plan it, but I’m in a place where the people around me push me to shake it up and make something you haven’t seen before.
The tone of [the film] must have been very important to get right.
DL: Of course. Everyone knows that Emily is a great comedic actress,and Tom is a brilliant comedic actor – and I mean truly brilliant. He’s really the gutsiest, most courageous actor I’ve ever worked with because he will try anything. Working with him, it’s not like working with someone like Brad Pitt, who has made a lot of movies, but many of them the mass audience haven’t seen. It’s unusual for Brad to make a big commercial movie like Mr. and Mrs. Smith, he chooses artsier things, whereas with Tom, the world has seen every single movie he’s ever done. Here, he is a total coward. The amount of times he squeals in this movie, he’s an amazing squealer! Other movie stars – in my experience – would have been more hesitant about being that vulnerable.
We have something for everybody though. If you love Tom Cruise you see him giving a genius performance, and if you hate Tom Cruise he dies like 200 times in the movie.
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Post by serin on Mar 8, 2014 6:42:31 GMT -5
Continued :
After the footage was screened, Doug Liman took some questions from the audience. Check out what he had to say below. You’ve made such an eclectic mix of films so far, what was it about this story that you wanted to get your teeth into? Doug Liman: It’s so rare these days to find a film that both fulfills a big studio appetite and at the same time is wholly original. You tend to see a lot of either very big movies that you feel like you’ve seen before – usually because you have- or you see eclectic and original movies, but they’re much smaller. Occasionally, a project comes along that has the scope of Edge of Tomorrow but at the same time is 100 percent original. I live in New York, I don’t live in Hollywood. I hang out with a more sort of eclectic, artsy crowd. So if I talk about the film I’m really going to push Emily Blunt a little bit more than Tom Cruise, just because they’re more of a snooty crowd. They’re very judgmental. SPOILER ALERT In fact, I was at a party over Christmas in Brooklyn and this woman was like “Oh Tom Cruise and Emily Blunt in a Hollywood movie: He’s older than her, I bet they live happily ever after at the end of the film.” And I was like “Actually, at the end of my film, she doesn’t know who he is.” And I left this woman with her jaw dropped, because people expect such a formulaic thing from Hollywood. END SPOILER ALERT When I got my first studio film, which was The Bourne Identity, I was terrified of selling out and every step along the way I was being as contrary as I possibly could and changing things for no reason other than people had done it a certain way. I went into the film thinking “It’s just not going to be like other movies,” but I didn’t necessarily know what it was going to be, so there were stories of turmoil on the set as a result. But the end result of saying “I’m not going to make a cookie-cutter movie” and just fighting the system every step of the way resulted in a film that I was extremely proud of and actually spawned a whole franchise. It put me in this unique place where people expect me to break the mold a little bit, so occasionally a project like Edge of Tomorrow comes along where people want me to change it up. There was no pressure from Warner Bros. to make this look like a standard studio film, they were really like “We want to do something fresh.” Occasionally I’d pitch an idea and they’d be like “I don’t know… It’s not Doug Liman enough.” I didn’t plan it, but I’m in a place where the people around me push me to shake it up and make something you haven’t seen before. The tone of [the film] must have been very important to get right. DL: Of course. Everyone knows that Emily is a great comedic actress,and Tom is a brilliant comedic actor – and I mean truly brilliant. He’s really the gutsiest, most courageous actor I’ve ever worked with because he will try anything. Working with him, it’s not like working with someone like Brad Pitt, who has made a lot of movies, but many of them the mass audience haven’t seen. It’s unusual for Brad to make a big commercial movie like Mr. and Mrs. Smith, he chooses artsier things, whereas with Tom, the world has seen every single movie he’s ever done. Here, he is a total coward. The amount of times he squeals in this movie, he’s an amazing squealer! Other movie stars – in my experience – would have been more hesitant about being that vulnerable. We have something for everybody though. If you love Tom Cruise you see him giving a genius performance, and if you hate Tom Cruise he dies like 200 times in the movie. Previous Next
Why was the title changed?
DL: We never called it All You Need is Kill. That was the title of the Japanese novel that the movie is based on, but it has nothing to with the movie. Right from the beginning I was like, “We’re obviously not going to call the movie that.” Title changes are always tough. It’s always better if you have the title before the start, but in this case I was finding the tone as we went.
I personally believe in humor. I come from a Jewish background and I find that me and my relatives bring humor to the darkest moments, so I genuinely believe in humor. But I didn’t know that Tom was going to be as funny as he was, and the tone of the film didn’t get defined until we were shooting it, and once that got defined, All You Need is Kill was way too dark a title for a film that has a huge amount of humour all the way through.
How did you enjoy filming in England?
DL: This was my first time shooting an entire film in England and it really was an extraordinary experience. I’ve tried elsewhere in Europe and the experience has always been that when you need a specialist, you fly them in from England. Whatever department, if you need someone really great, you bring them in from England. So having the opportunity to work here where I got to have the best in every single department was extraordinary.
The thing about working with Tom is that physically moving him around is so expensive, and also the weather isn’t great. So the end result was we shot the entire movie on the stages and on the back lot of The Leavesden Studios. It’s got hundreds and hundreds of acres of back lot, so everything you see [in the film] is all built on that back lot.
The only time we really left there was to go to Trafalgar Square where we got to land a massive military helicopter. And that was just one of those moments where you’re back to being a kid going “Oh my God this is the magic of movies.”
Are you interested in making a smaller film next?
DL: I’m not sure what my next film is, but one of them is a period movie about George Mallory – so definitely not a big budget film. And I’d love to find a small comedy. I don’t crave the big set experience. In fact, my favourite experiences on Edge of Tomorrow were the little reshoots I did with Tom Cruise where I was back to Swingers. I literally had a green screen set up in the editing room and we would secretly sneak some lights in – this was not union and was totally unauthorized – and Tom would do his own hair and make up and we did extra shots that [ended up] in the movie.
At the end of the day that’s where my heart lies, it’s that real sort of guerrilla stuff where it’s just the actor and me and a camera. And the thing that I’m most proud of with Edge of Tomorrow is that the whole film feels that way, even though it was actually a group of thousands. It feels like a really personal story.
How important was casting Emily Blunt in this picture?
DL: She was the only one we wanted, and we didn’t have a plan B. Emily is an extraordinarily powerful actress, she really stands her ground even though she’s in way over head on this movie. Tom’s done big action movies and she hasn’t, but that didn’t stop her at all.
There are very few features that are brave enough to tackle time loops, what excited you about that and what frustrated you?
DL: From a straight production point of view, I was excited with the efficiency of filming, because you go to the same locations over and over again so we could sort of block shoot it. There were budget efficiencies that I had dreams of accomplishing with this narrative structure.
I like putting real human beings through extraordinary situations too. Like if you look at Mr. and Mrs. Smith, there’s a real couple trying to deal with the real insecurities and trust issues of a marriage. There’s machine guns and there’s outrageous stuff happening, but all of that is a way of bringing out what’s interesting about the human beings.
I just thought this was a concept that allowed me to have a great love story between two people, where they have to start over every day. And trying to work out how to build a love story off of that was a really exciting challenge.
The frustrating thing is trying to deal with the logic of a film that works with time travel. People who dream that one day time travel will exist – all they have to do is work on a film that has time travel and they will realize that there is no way ever that we will travel through time. There’s just too many paradoxes, it’s just not going to happen.
Be sure to check out Edge of Tomorrow when it hits theatres on June 6th, 2014.
Wegotthis covered
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Post by architect on Mar 24, 2014 15:03:56 GMT -5
EOT Teaser for 3/25 Trailer #2
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Post by architect on Mar 24, 2014 22:22:02 GMT -5
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Post by architect on Mar 25, 2014 20:58:15 GMT -5
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Post by serin on Apr 4, 2014 3:26:09 GMT -5
Edge of Tomorrow Footage reaction[/[/font][/b] News, Video 4/03/2014 09:30:00 PM A+ A- Following on from a footage screening of Godzilla this morning, I was also shown around 15 minutes from Tom Cruise’s Edge Of Tomorrow. I didn’t think that the Godzilla footage could be topped, but holy crap, Edge Of Tomorrow is insane. I mean really INSANE. The majority of the footage revolved around the beach landing where the mech suit kitted out military take on some seriously bad ass aliens. Essentially the story follows Cruise’s character and when he gets killed he goes back in time to the day previous and like a video game, has another go at saving the world. Visually Edge Of Tomorrow is astonishing. The beach landing scene is incredibly intense with bodies, aliens and futuristic choppers falling out of the sky in alarming quantities. Think the D-Day landings in Saving Private Ryan and multiply them by 10. Its an incredibly rush. Action aside, Cruise is on top notch form here (is he ever anything but) and from what I saw there is a rather great performance from Emily Blunt, who is really bad ass. Theres plenty on offer here too with the whole going back in time idea being played out rather well, especially between Tom Cruise and Emily Blunt. Edge Of Tomorrow opens here on May 30th (June 6th Stateside) and this is shaping up to be an intense, exhilarating and must watch movie. Book your tickets now! This will not disappoint. If it does, I’ll eat one of the mech suits in the movie….or a hat! Bring it on!!! Big thanks to all at Warner Bros. for today. If only now they can invent time travel, I’d be a very happy bunny! www.youtube.com/watch?feature=player_embedded&v=FbtwPnwC7RUThemoviebit
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Post by serin on Apr 14, 2014 4:02:49 GMT -5
FIRST TV SPOT OF EDGE OF TOMORROW
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Warner Bros. has debuted a new TV spot for their upcoming Edge of Tomorrow, arriving in theaters nationwide June 6. Tom Cruise stars as a soldier fighting a lengthy war against an alien species, when he dies in battle, only to wake up and relive his final day over and over again. Emily Blunt co-stars in director Doug Liman's sci-fi thriller, in theaters June 6.
Edge of TomorrowTV SpotShare This VideoLinkEmbed Code:FacebookTwitterGoogle+TumblrReddit. Share Video The epic action of "Edge of Tomorrow" unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world. Major William Cage (Tom Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop-forcing him to live out the same brutal combat over and over, fighting and dying again...and again. But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Emily Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.
Edge of Tomorrow /Movieweb
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